This publication’s design and editorial structure was approached in accordance to Frida Escobedo’s method for the reactivation of urban space in mind, borrowing from the same concepts that sustain the project: the history of British construction materials, the Greenwich meridian, and, particularly, “the expression of time in architecture through the inventive use of everyday materials and simple forms.” 
 Frida Escobedo, quoted in Carlos Vicente Castro, “Frida Escobedo coloca la última pieza al Serpentine Pavilion 2018”, México Design.
José Esparza Chong Cuy
Marina Otero Verzier
Hans Ulrich Obrist
17 x 24 cm
Serpentine Galleries and Koenig Books